comunicarearte: NIPPOSUGGESTIONI, east and west relations in art: Tarantino's new japonism: from Kill Bill and sukiyaki Django

mercoledì 6 luglio 2011

Tarantino's new japonism: from Kill Bill and sukiyaki Django

he Japanese female samurai/revenge film, directed by Toshiya Fujita, that Q. Tarantino practically stole for part 1 of Kill Bill

TAKESHI MIIKE: director of Tsukiyaki Django

Quentin Tarantino

a great performance by Lucy Liu

Chiaki kuriyama, makes she very famous from the Tarantino's new japonism

looks like KABUKI theatre stage

il nuovo giapponismo di Tarantino ha rivoluzionato l'immaginario sul giappone, ha condizionato l'idea di giappone di tante persone.
come alla fine del 1.800 e inizi del '900 i francesi e gli artisti dell'avanguardia pittorica dell'epoca furono influenzati dall'arte POP UKIYOE, anche oggi una potente arte pop cinematografica mondiale ridisegna l'idea mitica e stereotipata del giappone. ecco alcuni esempi che suggerisco per immagini.

English: New Japanism by Tarantino has revolutionized the imagery on Japan, he has influenced the idea of so many people. as at the end of the 1,800 and the beginning 900, the French painters of the avant-garde artists were influenced by the art Ukiyoe POP, even today a powerful pop art film-world reshapes the idea of myth and stereotype of Japan.
here are some examples that i suggest with images.

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EDOPOP & FLOATINGpop reports

EDOPOP & FLOATINGpop reports JapanPOP, FLOATING POP A curatorial project by Christian Gancitano, in collaboration with Deodato Arte Here is the concept history starting from FLOATING WORLD from which we extrapolate the development of our research of the relationship between East and West relations in pop arts: FLOATING POP (japanese pop art), take a look to Asia as an emerging power and already dominant on the worldwide's imaginary of fashion, comics, design, as an art influencer, one of more active cultural player, economy development, not only japan therefore, that despite everything, it was the first Asian power, democracy westernized. With this "Japan POP art show" an innovative artist combination, we will keep the guidelines of “edo pop”, an art project that i am still forwarding since 2004, it was already started my researching about japanese pop arts since Edo period till the latest artistic trend, taking a look to expanded relationship in art between Eastern and Western pop cultures, massive consumption, advertising and communication. Ukiyo (浮世 "Floating World") Described the urban lifestyle, Especially the pleasure-seeking aspects, of Edo-period in Japan (1600-1867 Tokugawa period). The "Floating World" culture developed in Yoshiwara, the licensed red-light district of Edo town (modern Tokyo), which was the site of many brothels, chashitsu tea houses, and kabuki theaters frequented by Japan's growing middle class. The ukiyo cultures arose also in other cities Such as Osaka and Kyoto and coming out, beginning of the last century, in Paris . Here began the first real pop art, is the famous Japanese's woodblock prints well known as ukiyo-e, or "pictures of the Floating World," In These districts, already more than 4 century ago, had began their origins the japanese's pop cultures, first in the world affordable art, often depicted scenes of the Floating World itself, such as geisha, kabuki actors, sumo wrestlers, samurai, chonin and prostitutes that was same of contemporary pop stars and massive brand icons . In fact, FLOATING POP is still a worldwide important TREND TODAY: the newest artist, son of this culture, represent mass consumption, leisure and entertainment globalized using a universal language "POP", this was already among the oriental and western culture, sign of begin of today's global marketplace.

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mercoledì 6 luglio 2011

Tarantino's new japonism: from Kill Bill and sukiyaki Django

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